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For example you have to scroll through them and use and X-Y control for wet/dry/amount etc.
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The built in effects and their interface isn’t that great.
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So while there are some benefits to using DD as a VST, it’s not really capturing the full possibility… Then again, I don’t even know if it’s possible for a VST to control the master clock! I have tried various tricks like using dummy clips to trigger and control DD but it’s a clunky and unreliable setup. It would be a killer app if it could send clock to Ableton, which would then unleash the power of using Ableton clips on time with DD mixing. The reason I raise this issue is that I use DD as a VST within Ableton. CANNOT SEND CLOCK TO THE MASTER WHEN USED AS A VST However, while the samplers do offer flexibility on some level that’s sort of overkill in a way that I personally don’t find entirely useful… or at least I am not that dexterous as a DJ! In an ideal world it would be great if it had 4 decks total and 4 samplers.Ģ. This isn’t terrible given that there are 8 built in samplers. AND THE NOT SO GOOD…ĭD only provides 2 decks for DJs. If your controller is not supported, you can easily midi map the controller of your choosing. You can choose your soundcard, and choose your controller. In other words, you’re not locked into any hardware.
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SUPPORTS MANY CONTROLLERS / MIDI MAPPINGĭD comes with native support of many controllers plus it lets DJs use a variety of timecoded vinyl products. It’s a little tricky to get the routing setup so you can cue, so to save time here’s how you do it:Ĭhannel 7: Deck Record – used to record my mixes (instead of the built in feature in DD)Īll channels except 5 are routed into Channel 7.ĭD sounds great! I have many interfaces – Alesis Multimix, Apogee Duet, Audio 2 DJ, Vestax VCM-100, Hercules RMX – and the music sounds amazing over all of these interfaces.ĥ. This is a very stable setup and I’ve had no problems to date. I use DD as a VST inside Ableton, where there are racks set up linked to smart knobs on a Native Instruments X1. Have you ever played a track that had a long break and then the kick comes in off what should be the 1-count? It’s a little early or late? The Downbeat Button lets the DJ specify which beat is the downbeat on the fly – which makes mixing tracks together in time and beat matching so much easier. This might sound contradictory to Reason #1, but it’s not – try it out and you’ll see. The analysis is usually pretty right on – if not, it’s actually effortless to modify the markers or do it in real time.
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When loading a track into the deck, the software engine automatically places markers in front of the peaks. (Editor’s notes, Traktor’s Auto gridding functions perform equally well although it takes longer to analyze each track) Can you imagine getting a track and being able to use it moments after putting it on your laptop? It makes DJing fun again, you can throw down a set easily, test out new material, and avoid carpal tunnel by not having to do all the tedious prep that many of the other applications require.
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The downside of Traktor however is Beat Gridding, which is only slightly less tedious than Ableton Warping. After more research I came across Deckadance, an often-overlooked DJ application for Mac and PC from Image Line (the makers of FL Studio)In this article we will look at the strengths and weakness of this program and see how far its come in 3 years of development. Even on a small scale Ableton is limited as a DJ tool because it lacks cue points, decodes all MP3s into WAV files, and requires a lot of tedious warping.Īfter reading up about alternatives on, I decided on Traktor because it sounds great, has awesome effects and integrates perfectly with the X1. As a long time music producer who began looking at alternatives to Ableton for digital DJing, I came across about 6 months ago and instantly became a fan. While Ableton is great for many reasons, you will definitely felt it’s limitations after building a dj set with over 300 tracks.
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